Contest registration:
The competition is free of charge at all
The participants were Indonesian citizens and settled in Indonesia
Participants can only register one blog alone
Implementation of Competition:
The race began on October 15, 2012 - January 15, 2013
Closure of Registration dated December 15, 2012
Winners will be announced on January 25, 2013
Delivery of Gifts January 29, 2013
Contest Rules:
Title keywords used "Commonwealth Life Perusahaan Asuransi Jiwa Terbaik Indonesia"
Participants are allowed to use your own domain and blog, but not allowed to use the domain name in accordance with the keywords that are contested.
Participants are required to include the domain www.commlife.co.id in blogroll or in a webpage is contested.
Prohibited content filled with keywords that are hateful, pornography or actions that violate the law and not in accordance with the theme of the race.
Each participant is required to install the banner / logo contest Commonwealth Life SEO Blog Contest 2012 in blog / website listed.
160x400 code:
<span title="<a href="http://www.commlife.co.id/seo_contest/commlife-microsite/default.aspx"> <img src = "http://www.commlife.co.id/seo_contest/commlife-microsite ">/ images/tumbnail_160x140.jpg "alt =" Commonwealth Life SEO Blog Contest 2012 "width =" 140 "height =" 400 "/> </ a>
size 160x400
250x250 code:
<span title="<a href="http://www.commlife.co.id/seo_contest/commlife-microsite/default.aspx"> <img src = "http://www.commlife.co.id/seo_contest/commlife-microsite ">/ images/tumbnail_250x250.jpg "alt =" Commonwealth Life SEO Blog Contest 2012 "width =" 250 "height =" 250 "/> </ a>
size 250x250
Each registered domains are allowed to use 1 article Commonwealth Life SEO Blog Contest 2012
Participants are required to include the URL to the content contest registration form.
If you register the URL of your blog / website that contains information this contest, we will not consider it as a participant.
Not use Blackhat techniques
The participants are required to follow the rules and race matter
Articles must be aged at least 20 days
Materials Competition:
Participants are required to create an article using the Indonesian language is good and true, using the theme of news and information about Commonwealth Life insurance companies, and a minimum of 500 words / article. Information can be obtained on the website of Commonwealth Life.
3 keywords in the content of the article must be included participants
Life insurance (http://www.commlife.co.id/products/wealth-protection/life-protection/danatra-siaga/)
Best life insurance (http://www.commlife.co.id/about/commonwealth-life/)
Life insurance Indonesia (http://www.commlife.co.id/)
Judging System:
Judging and selection of winners was assessed through the top of the Search Engine Google.co.id.
Quality of the writing in this article is also included in the judging system
For the winner of The Best Blogs will be judged from the contents of the blog content as well as a friendly in User Experience and User Interface.
The result of the jury's decision final and can not be disturbed sue
If the winner has been established and the results turned out to be the winner does not entirely follow the rules and the material will be replaced and the race-winning status will be submitted to the other participants that have content material and follow the rules according to race
Winners will be announced on the Microsite and the winners will be sent an email on January 25, 2013
Investiture
The prize will be held on January 29, 2013
Held at the New World Symphony's new home, the winners of the Knight Arts Challenge are announced.
The John S. and James L. Knight Foundation has announced $23 million in new funding for the arts in South Florida. The support brings Knight Foundation’s total investment in South Florida’s diverse and dynamic cultural community to $86 million in six years.
Knight’s initiative supports both established institutions and grassroots organizations as a way to engage South Floridians and weave culture into people’s everyday lives. It includes funding for key arts institutions, and for the continuation of the Knight Arts Challenge, a contest open to the entire South Florida community that for five years has allowed artists to experiment and innovate even through a weak economy.
“The arts not only inspire and challenge, they help create the shared experiences that connect people to one another and the places they live,” said Alberto Ibargüen, president of Knight Foundation. “The success of our earlier initiative in Miami has encouraged us to expand to Philadelphia and Detroit and, now, to take it to the next level in Miami.”
The Miami announcement follows a recent, $19.25 million Knight Foundation investment in the Detroit arts scene, backing the cultural initiatives that are helping shape the future of that city.
In South Florida, the investment includes:
Support for leading cultural institutions ($14 million). Funding will engage and inspire audiences in new ways:
Miami City Ballet ($5 million): In its 28 years, the ballet has earned a national reputation. New funding will help the ballet increase its outreach and add new works to its repertoire, including new commissions.
The Wolfsonian-FIU ($5 million): The museum holds one of the most important collections of art and design objects from the modern era. With this new funding, The Wolfsonian will develop dynamic programming to engage South Florida residents and build greater access to its online collection.
Cleveland Orchestra ($2 million): The organization that has become Miami’s winter symphony expands its subscription season to four weekends of concerts and significantly increases its educational outreach programs to students.
Arts education ($1 million): Miami artists often begin their careers at one of two schools, the Design and Architecture High School and the New World School of the Arts. To expand the horizons of the next generation, new funding will send students on cultural field trips to New York City and Europe.
Borscht Film Festival ($500,000): The homegrown festival has put Miami into the national conversation on independent filmmaking, with works shown at 40 international film festivals. New support will help the festival expand its efforts and create more “only in Miami” stories.
Miami International Film Festival ($500,000): The festival helps make the city a destination for first-class cinematic creations. Knight Foundation will further the expansion of Ibero-American film through awards at this annual event.
Continuing the Knight Arts Challenge contest ($9 million) – Each year, the challenge asks everyone in South Florida for ideas to enhance the South Florida arts. The contest has just three rules: Projects must be about the arts; take place in or benefit South Florida and match Knight’s funding.
The best ideas receive Knight Foundation funds. Anyone can apply: the challenge purposefully seeks out nontraditional grantees. In fact, 6,601 ideas have been received over the past five years. More than half of these ideas came from individuals, businesses, and small organizations that don't have 501(c)(3) non-profit status.
With Knight Foundation’s new commitment, the contest will offer funding to organizations of all sizes – from businesses to individual artists – through 2015.
Knight Foundation is extending the contest because of its success: A new, independent evaluation of Knight Foundation’s impact found that the challenge has helped fuel Miami’s cultural scene. In particular, the challenge has helped small projects with an entrepreneurial spirit take shape. For example:
Additionally, prior funding has brought cutting-edge exhibitions to North Miami’s Museum of Contemporary Art, supported a new media program that includes the signature “Wallcasts” at the acclaimed New World Symphony campus, and will bring every Miami-Dade third grader annually to the soon-to-open Perez Art Museum Miami on the downtown waterfront.
“Miami’s creativity is limitless, Knight Foundation’s arts initiative and its Knight Arts Challenge have acted as its conduit – pulling the best ideas out of the city’s most creative thinkers, and helping them flourish. In a truly creative town like Miami, everybody should be able to participate, to dream and to ultimately see their passions through to reality,” said Dennis Scholl, Knight Foundation’s vice president for arts.
For more information about Knight Foundation’s arts program, visit KnightArts.org.
About the John S. and James L. Knight Foundation
Knight Foundation supports transformational ideas that promote quality journalism, advance media innovation, engage communities and foster the arts. The foundation believes that democracy thrives when people and communities are informed and engaged. For more, visit knightfoundation.org.
Informasi Seputar Kontes SEO Commonwealth Life Perusahaan Asuransi Jiwa Terbaik Indonesia
“Commonwealth Life Perusahaan Asuransi Jiwa terbaik Indonesia”
Anda blogger dan mempunyai kemampuan di bidang SEO?
Ingin mengasah pengalaman & kemampuan SEO anda?
Ayo ikut “Commonwealth Life SEO Blog Contest 2012″
Ajang ini khusus diselenggarakan oleh Commonwealth Life untuk memberikan
kesempatan para blogger dan master-master seo dalam mengasah skill
dan kreatifitas dalam bentuk tulisan.
Tunggu apalagi, Ayo tunjukan keahlianmu
dan jadilah pemenang.
Pelaksanaan Lomba :
» Lomba dimulai tanggal 15 Oktober 2012 - 15 Januari 2013
» Penutupan Pendaftaran tanggal 15 Desember 2012
» Pemenang akan diumumkan pada tanggal 25 Januari 2013
» Penyerahan Hadiah 29 Januari 2013
Peraturan Lomba :
» Judul kata kunci yang digunakan ” Commonwealth Life Perusahaan Asuransi Jiwa Terbaik Indonesia “
» Peserta diperbolehkan menggunakan domain sendiri dan blog, tetapi tidak diperbolehkan memakai nama domain sesuai dengan kata kunci yang dilombakan.
» Peserta diwajibkan mencantumkan domain www.commlife.co.id di blogroll atau pada halaman webpage yang dilombakan.
» Dilarang mengisi konten dengan kata kunci yang bersifat SARA, Pornografi atau tindakan yang melanggar hukum dan tidak sesuai dengan tema lomba.
» Setiap peserta wajib memasang banner/logo kontes Commonwealth Life SEO Blog Contest 2012 di blog/website yang didaftarkan.
http://kombetkampret.blogspot.com/2012/11/commonwealth-life-perusahaan-asuransi_9038.html
Submit your video here: http://www.youtube.com/proplan
Here's your chance to show us how your dog is great. Show us, and he could be in the next Purina® Pro Plan® commercial and earn a trip to New York City. So tell us -- "How is Your Dog Great?"
TRADING PLACES 2 AT MUSEUM OF CONTEMPORARY ART
Knight Exhibition Series
September 13 – November 11, 2012
Artists swap their studios for spaces in MOCA galleries
Meet the artist panel discussions on July 18 and 25, 2012
In 2005, the Museum of Contemporary Art (MOCA), North Miami launched an experimental program called Trading Places in which South Florida artists swapped their studio spaces for space in the museum’s galleries for the period of two months. From September 13 through November 11, 2012, MOCA has invited five South Florida artists: Dona Altemus, Onajide Shabaka, Magnus Sigurdarson, Rick Ulysse and Antonia Wright to participate in Trading Places 2, the second installment of this program. Trading Places 2 is part of MOCA’s Knight Exhibition Series program.
The emphasis of Trading Places 2 is on the research and development of projects rather than specifically working toward an exhibition, although works may be exhibited or performed at the museum. The artists selected have reached critical moments in their careers when they can most benefit from the opportunity to work with MOCA’s curatorial and technical staff.
This program provides the artists with studio spacein the museum’s galleries, materials and technical assistants, and opportunities to interact, respond to and investigate each others’ practices and engage in periodic discussions with the public.
A new component of Trading Places 2 is the role these artists will play mentoring the teens and young adults enrolled in MOCA’s free afterschool educationclasses and intern program, as part of the MOCA Art Institute, MOCA’s extensive education program for students of all ages.
Trading Places 2 is organized by the Museum of Contemporary Art, North Miami under the direction of MOCA Executive Director and Chief Curator Bonnie Clearwater. It is made possible by MOCA’s Knight Exhibition Endowment.
Rick Ulysse, was born in Port-au-Prince, Haiti in 1983 and grew up in Philadelphia where he attended Tyler School of Art. Newly relocated to Miami, he is especially interested in continuing his research for his latest series of drawings based on Toussaint Louverture and the Haitian Revolution. Imagination, cartoon realism, ethnography and historical fiction all combine in a non-linear fashion and avoids direct story telling in the traditional sense. Ulysse notes that he uses “an open form to negotiate/infuse the everyday and current events into a broad conversation about history. Using this process allows me to garner a variety of sources from Japanese anime and Walt Disney, to Christian iconography and African symbolism.” One of the aims of his work is “to communicate to my younger cousins about Haitian history and identity. Theirs is a generation that views cartoons as reality.” He will have the opportunity to work directly with the teens and young adults in MOCA education programs, approximately 70 percent of whom are Haitian, and he will have access to South Florida’s centers for Haitian historical research, including the Haitian Historical Museum and Archives in North Miami.
Magnus Sigurdarson was born in Reykjavik, Iceland in 1966. He will further explore the concept of identity and his search for “Miami Melancholy,” which has been ongoing since his move to Miami in 2004. “As a true blood Northerner with deep roots in Melancholy and the poetic enclose or angst as an artistic motivator, I have been searching for the ‘Tropical Melancholy’ and the ‘Subliminal in the flatness of Florida.’ This has of course opened my heart to all the other emotions,” Sigurdarson notes. In Iceland, Sigurdarson mentored many younger artists, including Ragnar Kjartansson who had a recent exhibition at MOCA.
Clearwater notes, “One of the essential aspects of any art community is the interaction between its artists. Trading Places helps to forge a stronger relationship between multi-generational artists and the students they mentor and to engage the public in the creative process.”
Clearwater notes, “One of the essential aspects of any art community is the interaction between its artists. Trading Places helps to forge a stronger relationship between multi-generational artists and the students they mentor and to engage the public in the creative process.”
About Trading Places
This program was launched in 2005 with Miami artists Salvatore La Rosa, Maria Martnez-Canas in collaboration with Alaska artist Kim Brown, and Frances Trombly. The artists occupied the museum’s galleries from July 29 to September 4, 2005.
The Museum of Contemporary Art is located at 770 NE 125th Street, North Miami, Florida. For information, please visit www.mocanomi.org or call 305 893 6211.
Hours and Admission: Tuesday, Thursday, Friday, Saturday - 11 am to 5 pm; Wednesday from 1–9 pm; and Sunday from noon to 5 pm. MOCA’s galleries are also open on the last Friday of each month from 7–10 pm in conjunction with Jazz at MOCA performances. Admission is free for MOCA members, North Miami residents and City employees and children under 12; $5 for adults; $3 for seniors and students with ID.
About the Museum of Contemporary Art, North Miami
The mission of the Museum of Contemporary Art is to make contemporary art accessible to diverse audiences - especially under-served populations - by exploring the art of our time and its relationship to a broader cultural context. MOCA is internationally recognized as a force in defining new trends and directions in contemporary art. The museum originates most of its own exhibitions, presenting an exciting mix of both emerging and legendary artists.
Visitors from around the world are drawn to its permanent collection reflecting the most important developments in contemporary art.
MOCA presents a continuous calendar of lectures by renowned artists and critics, film screenings, concerts, and cutting edge performances. Its MOCA Art Institute has attracted nationwide attention for highly original education and outreach programs that make contemporary art accessible, understandable, and enjoyable to people of all ages.
Through enrichment programs, cultural travel and social events, MOCA members are provided dynamic opportunities to enhance their understanding of contemporary art and develop relationships with collectors and art enthusiasts from around the world.
Architectural plans for the expansion and renovation of MOCA's current facility will more than double its overall space to 54,000 square feet and more than triple its current exhibition space to 23,150 square feet. The expansion's concept plan is designed by Gwathmey Siegel Kaufman + Associates. The expansion will allow for ongoing access to MOCA's permanent collection, provide an education wing for classes and public programs, expanded space to present concurrent exhibitions, new art storage and enhanced public areas.
In 2007, MOCA received a $5 million endowment from the John S. and James L. Knight Foundation to establish the MOCA Knight Exhibition Endowment. The endowment is part of a $460 million philanthropic initiative created by Knight Foundation to help transform South Florida by bringing the community together through the arts. The Knight Arts Challenge includes three institutional endowments and an open-invitation community contest to fund the best ideas for the arts. It enables MOCA to present exhibitions and multi-media projects each year featuring the work of emerging and experimental artists, as well as to develop innovative public and education programs. The Knight Foundation Endowment makes MOCA one of the few contemporary art museums in the nation to have a dedicated source of funding of this nature. Since its launch in December 2008, MOCA's Knight Exhibition Series has featured the exhibitions: Anri Sala: Purchase Not by Moonlight (2008-09), The Possibility of an Island (2008-09), Luis Gispert (2009), The Reach of Realism (2009-10), Ceal Floyer: Auto Focus (2010), Cory Arcangel: The Sharper Image (2010). Modify, as Needed (2011), Mark Handforth: Rolling Stop and Ragnar Kjartansson: Song. For more, visit www.KnightArts.org.
Exhibitions and programs at MOCA are made possible through grants from the City of North Miami. Sponsored in part by the State of Florida, Department of State, the Florida Council on Arts and Culture, and the National Endowment for the Arts. With the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners. The Museum of Contemporary Art, North Miami is accredited by the American Association of Museums.
TRADING PLACES 2 AT MUSEUM OF CONTEMPORARY ART
Knight Exhibition Series
September 13 – November 11, 2012
Artists swap their studios for spaces in MOCA galleries
Meet the artist panel discussions on July 18 and 25, 2012
In 2005, the Museum of Contemporary Art (MOCA), North Miami launched an experimental program called Trading Places in which South Florida artists swapped their studio spaces for space in the museum’s galleries for the period of two months. From September 13 through November 11, 2012, MOCA has invited five South Florida artists: Dona Altemus, Onajide Shabaka, Magnus Sigurdarson, Rick Ulysse and Antonia Wright to participate in Trading Places 2, the second installment of this program. Trading Places 2 is part of MOCA’s Knight Exhibition Series program.
The emphasis of Trading Places 2 is on the research and development of projects rather than specifically working toward an exhibition, although works may be exhibited or performed at the museum. The artists selected have reached critical moments in their careers when they can most benefit from the opportunity to work with MOCA’s curatorial and technical staff.
This program provides the artists with studio spacein the museum’s galleries, materials and technical assistants, and opportunities to interact, respond to and investigate each others’ practices and engage in periodic discussions with the public.
A new component of Trading Places 2 is the role these artists will play mentoring the teens and young adults enrolled in MOCA’s free afterschool educationclasses and intern program, as part of the MOCA Art Institute, MOCA’s extensive education program for students of all ages.
Trading Places 2 is organized by the Museum of Contemporary Art, North Miami under the direction of MOCA Executive Director and Chief Curator Bonnie Clearwater. It is made possible by MOCA’s Knight Exhibition Endowment.
Rick Ulysse, was born in Port-au-Prince, Haiti in 1983 and grew up in Philadelphia where he attended Tyler School of Art. Newly relocated to Miami, he is especially interested in continuing his research for his latest series of drawings based on Toussaint Louverture and the Haitian Revolution. Imagination, cartoon realism, ethnography and historical fiction all combine in a non-linear fashion and avoids direct story telling in the traditional sense. Ulysse notes that he uses “an open form to negotiate/infuse the everyday and current events into a broad conversation about history. Using this process allows me to garner a variety of sources from Japanese anime and Walt Disney, to Christian iconography and African symbolism.” One of the aims of his work is “to communicate to my younger cousins about Haitian history and identity. Theirs is a generation that views cartoons as reality.” He will have the opportunity to work directly with the teens and young adults in MOCA education programs, approximately 70 percent of whom are Haitian, and he will have access to South Florida’s centers for Haitian historical research, including the Haitian Historical Museum and Archives in North Miami.
Magnus Sigurdarson was born in Reykjavik, Iceland in 1966. He will further explore the concept of identity and his search for “Miami Melancholy,” which has been ongoing since his move to Miami in 2004. “As a true blood Northerner with deep roots in Melancholy and the poetic enclose or angst as an artistic motivator, I have been searching for the ‘Tropical Melancholy’ and the ‘Subliminal in the flatness of Florida.’ This has of course opened my heart to all the other emotions,” Sigurdarson notes. In Iceland, Sigurdarson mentored many younger artists, including Ragnar Kjartansson who had a recent exhibition at MOCA.
Clearwater notes, “One of the essential aspects of any art community is the interaction between its artists. Trading Places helps to forge a stronger relationship between multi-generational artists and the students they mentor and to engage the public in the creative process.”
Clearwater notes, “One of the essential aspects of any art community is the interaction between its artists. Trading Places helps to forge a stronger relationship between multi-generational artists and the students they mentor and to engage the public in the creative process.”
About Trading Places
This program was launched in 2005 with Miami artists Salvatore La Rosa, Maria Martnez-Canas in collaboration with Alaska artist Kim Brown, and Frances Trombly. The artists occupied the museum’s galleries from July 29 to September 4, 2005.
The Museum of Contemporary Art is located at 770 NE 125th Street, North Miami, Florida. For information, please visit www.mocanomi.org or call 305 893 6211.
Hours and Admission: Tuesday, Thursday, Friday, Saturday - 11 am to 5 pm; Wednesday from 1–9 pm; and Sunday from noon to 5 pm. MOCA’s galleries are also open on the last Friday of each month from 7–10 pm in conjunction with Jazz at MOCA performances. Admission is free for MOCA members, North Miami residents and City employees and children under 12; $5 for adults; $3 for seniors and students with ID.
About the Museum of Contemporary Art, North Miami
The mission of the Museum of Contemporary Art is to make contemporary art accessible to diverse audiences - especially under-served populations - by exploring the art of our time and its relationship to a broader cultural context. MOCA is internationally recognized as a force in defining new trends and directions in contemporary art. The museum originates most of its own exhibitions, presenting an exciting mix of both emerging and legendary artists.
Visitors from around the world are drawn to its permanent collection reflecting the most important developments in contemporary art.
MOCA presents a continuous calendar of lectures by renowned artists and critics, film screenings, concerts, and cutting edge performances. Its MOCA Art Institute has attracted nationwide attention for highly original education and outreach programs that make contemporary art accessible, understandable, and enjoyable to people of all ages.
Through enrichment programs, cultural travel and social events, MOCA members are provided dynamic opportunities to enhance their understanding of contemporary art and develop relationships with collectors and art enthusiasts from around the world.
Architectural plans for the expansion and renovation of MOCA's current facility will more than double its overall space to 54,000 square feet and more than triple its current exhibition space to 23,150 square feet. The expansion's concept plan is designed by Gwathmey Siegel Kaufman + Associates. The expansion will allow for ongoing access to MOCA's permanent collection, provide an education wing for classes and public programs, expanded space to present concurrent exhibitions, new art storage and enhanced public areas.
In 2007, MOCA received a $5 million endowment from the John S. and James L. Knight Foundation to establish the MOCA Knight Exhibition Endowment. The endowment is part of a $460 million philanthropic initiative created by Knight Foundation to help transform South Florida by bringing the community together through the arts. The Knight Arts Challenge includes three institutional endowments and an open-invitation community contest to fund the best ideas for the arts. It enables MOCA to present exhibitions and multi-media projects each year featuring the work of emerging and experimental artists, as well as to develop innovative public and education programs. The Knight Foundation Endowment makes MOCA one of the few contemporary art museums in the nation to have a dedicated source of funding of this nature. Since its launch in December 2008, MOCA's Knight Exhibition Series has featured the exhibitions: Anri Sala: Purchase Not by Moonlight (2008-09), The Possibility of an Island (2008-09), Luis Gispert (2009), The Reach of Realism (2009-10), Ceal Floyer: Auto Focus (2010), Cory Arcangel: The Sharper Image (2010). Modify, as Needed (2011), Mark Handforth: Rolling Stop and Ragnar Kjartansson: Song. For more, visit www.KnightArts.org.
Exhibitions and programs at MOCA are made possible through grants from the City of North Miami. Sponsored in part by the State of Florida, Department of State, the Florida Council on Arts and Culture, and the National Endowment for the Arts. With the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners. The Museum of Contemporary Art, North Miami is accredited by the American Association of Museums.
TRADING PLACES 2 AT MUSEUM OF CONTEMPORARY ART
Knight Exhibition Series
September 13 – November 11, 2012
Artists swap their studios for spaces in MOCA galleries
Meet the artist panel discussions on July 18 and 25, 2012
In 2005, the Museum of Contemporary Art (MOCA), North Miami launched an experimental program called Trading Places in which South Florida artists swapped their studio spaces for space in the museum’s galleries for the period of two months. From September 13 through November 11, 2012, MOCA has invited five South Florida artists: Dona Altemus, Onajide Shabaka, Magnus Sigurdarson, Rick Ulysse and Antonia Wright to participate in Trading Places 2, the second installment of this program. Trading Places 2 is part of MOCA’s Knight Exhibition Series program.
The emphasis of Trading Places 2 is on the research and development of projects rather than specifically working toward an exhibition, although works may be exhibited or performed at the museum. The artists selected have reached critical moments in their careers when they can most benefit from the opportunity to work with MOCA’s curatorial and technical staff.
This program provides the artists with studio spacein the museum’s galleries, materials and technical assistants, and opportunities to interact, respond to and investigate each others’ practices and engage in periodic discussions with the public.
A new component of Trading Places 2 is the role these artists will play mentoring the teens and young adults enrolled in MOCA’s free afterschool educationclasses and intern program, as part of the MOCA Art Institute, MOCA’s extensive education program for students of all ages.
Trading Places 2 is organized by the Museum of Contemporary Art, North Miami under the direction of MOCA Executive Director and Chief Curator Bonnie Clearwater. It is made possible by MOCA’s Knight Exhibition Endowment.
Dona Altemus, the youngest artist in Trading Places 2, is a 2012 graduate of New World School of the Arts, where she earned her BFA with a concentration in painting. For Trading Places 2, Altemus will investigate installation as a tool and explore spatial relationships that are activated when separate works interact. Altemus first came to Clearwater’s attention when she presented her work at MOCA’s unique Artist Critique program held twice a year, in which approximately 15 students from South Florida art schools present their work to MOCA’s curators for critique at each session. Clearwater notes, “I was impressed by the initial presentation and the maturity of Altemus’s vision. Trading Places will provide her with the opportunity to determine her post-graduate path.”
Onajide Shabaka’s work makes references to the anthropological, geological and biological through a visual aesthetic that is challenging and visceral, with a grounding in African Atlantic culture. Since 1997, his work has largely moved into the Florida wetlands, upper Minnesota and Oregon woodlands. He will use Trading Places to bring his art practice back into the formal gallery through photography, drawing and sculpture of natural and industrial materials. Bonnie Clearwater first worked with Shabaka when she selected him for the exhibition New Art: South Florida at the Museum of Art, Fort Lauderdale in 1993, and notes that his recent body of work based on botanical studies conducted in South Florida marks a new path for him to develop. “With his extensiveexperience teaching at the college and university level, Shabaka will play an important mentoring role for the teen and young adult students in MOCA’s afterschool programs,” she said.
Antonia Wright’s project will reflect her background in performance art within the mediums of video, photography and installation to explore the environment of MOCA. A poet and photographer, Wright introduces social critique into a broad conceptual framework with imagination and conviction. She received an M.F.A. in poetry from the New School University in New York and studied at the International Center of Photography. Wright was one of the finalists in MOCA’s Optic Nerve XIII film festival in 2011.
Clearwater notes, “One of the essential aspects of any art community is the interaction between its artists. Trading Places helps to forge a stronger relationship between multi-generational artists and the students they mentor and to engage the public in the creative process.”
About Trading Places
This program was launched in 2005 with Miami artists Salvatore La Rosa, Maria Martnez-Canas in collaboration with Alaska artist Kim Brown, and Frances Trombly. The artists occupied the museum’s galleries from July 29 to September 4, 2005.
The Museum of Contemporary Art is located at 770 NE 125th Street, North Miami, Florida. For information, please visit www.mocanomi.org or call 305 893 6211.
Hours and Admission: Tuesday, Thursday, Friday, Saturday - 11 am to 5 pm; Wednesday from 1–9 pm; and Sunday from noon to 5 pm. MOCA’s galleries are also open on the last Friday of each month from 7–10 pm in conjunction with Jazz at MOCA performances. Admission is free for MOCA members, North Miami residents and City employees and children under 12; $5 for adults; $3 for seniors and students with ID.
About the Museum of Contemporary Art, North Miami
The mission of the Museum of Contemporary Art is to make contemporary art accessible to diverse audiences - especially under-served populations - by exploring the art of our time and its relationship to a broader cultural context. MOCA is internationally recognized as a force in defining new trends and directions in contemporary art. The museum originates most of its own exhibitions, presenting an exciting mix of both emerging and legendary artists.
Visitors from around the world are drawn to its permanent collection reflecting the most important developments in contemporary art.
MOCA presents a continuous calendar of lectures by renowned artists and critics, film screenings, concerts, and cutting edge performances. Its MOCA Art Institute has attracted nationwide attention for highly original education and outreach programs that make contemporary art accessible, understandable, and enjoyable to people of all ages.
Through enrichment programs, cultural travel and social events, MOCA members are provided dynamic opportunities to enhance their understanding of contemporary art and develop relationships with collectors and art enthusiasts from around the world.
Architectural plans for the expansion and renovation of MOCA's current facility will more than double its overall space to 54,000 square feet and more than triple its current exhibition space to 23,150 square feet. The expansion's concept plan is designed by Gwathmey Siegel Kaufman + Associates. The expansion will allow for ongoing access to MOCA's permanent collection, provide an education wing for classes and public programs, expanded space to present concurrent exhibitions, new art storage and enhanced public areas.
In 2007, MOCA received a $5 million endowment from the John S. and James L. Knight Foundation to establish the MOCA Knight Exhibition Endowment. The endowment is part of a $460 million philanthropic initiative created by Knight Foundation to help transform South Florida by bringing the community together through the arts. The Knight Arts Challenge includes three institutional endowments and an open-invitation community contest to fund the best ideas for the arts. It enables MOCA to present exhibitions and multi-media projects each year featuring the work of emerging and experimental artists, as well as to develop innovative public and education programs. The Knight Foundation Endowment makes MOCA one of the few contemporary art museums in the nation to have a dedicated source of funding of this nature. Since its launch in December 2008, MOCA's Knight Exhibition Series has featured the exhibitions: Anri Sala: Purchase Not by Moonlight (2008-09), The Possibility of an Island (2008-09), Luis Gispert (2009), The Reach of Realism (2009-10), Ceal Floyer: Auto Focus (2010), Cory Arcangel: The Sharper Image (2010). Modify, as Needed (2011), Mark Handforth: Rolling Stop and Ragnar Kjartansson: Song. For more, visit www.KnightArts.org.
Exhibitions and programs at MOCA are made possible through grants from the City of North Miami. Sponsored in part by the State of Florida, Department of State, the Florida Council on Arts and Culture, and the National Endowment for the Arts. With the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners. The Museum of Contemporary Art, North Miami is accredited by the American Association of Museums.
TRADING PLACES 2 AT MUSEUM OF CONTEMPORARY ART
Knight Exhibition Series
September 13 – November 11, 2012
Artists swap their studios for spaces in MOCA galleries
Meet the artist panel discussions on July 18 and 25, 2012
In 2005, the Museum of Contemporary Art (MOCA), North Miami launched an experimental program called Trading Places in which South Florida artists swapped their studio spaces for space in the museum’s galleries for the period of two months. From September 13 through November 11, 2012, MOCA has invited five South Florida artists: Dona Altemus, Onajide Shabaka, Magnus Sigurdarson, Rick Ulysse and Antonia Wright to participate in Trading Places 2, the second installment of this program. Trading Places 2 is part of MOCA’s Knight Exhibition Series program.
The emphasis of Trading Places 2 is on the research and development of projects rather than specifically working toward an exhibition, although works may be exhibited or performed at the museum. The artists selected have reached critical moments in their careers when they can most benefit from the opportunity to work with MOCA’s curatorial and technical staff.
This program provides the artists with studio spacein the museum’s galleries, materials and technical assistants, and opportunities to interact, respond to and investigate each others’ practices and engage in periodic discussions with the public.
A new component of Trading Places 2 is the role these artists will play mentoring the teens and young adults enrolled in MOCA’s free afterschool educationclasses and intern program, as part of the MOCA Art Institute, MOCA’s extensive education program for students of all ages.
Trading Places 2 is organized by the Museum of Contemporary Art, North Miami under the direction of MOCA Executive Director and Chief Curator Bonnie Clearwater. It is made possible by MOCA’s Knight Exhibition Endowment.
Dona Altemus, the youngest artist in Trading Places 2, is a 2012 graduate of New World School of the Arts, where she earned her BFA with a concentration in painting. For Trading Places 2, Altemus will investigate installation as a tool and explore spatial relationships that are activated when separate works interact. Altemus first came to Clearwater’s attention when she presented her work at MOCA’s unique Artist Critique program held twice a year, in which approximately 15 students from South Florida art schools present their work to MOCA’s curators for critique at each session. Clearwater notes, “I was impressed by the initial presentation and the maturity of Altemus’s vision. Trading Places will provide her with the opportunity to determine her post-graduate path.”
Onajide Shabaka’s work makes references to the anthropological, geological and biological through a visual aesthetic that is challenging and visceral, with a grounding in African Atlantic culture. Since 1997, his work has largely moved into the Florida wetlands, upper Minnesota and Oregon woodlands. He will use Trading Places to bring his art practice back into the formal gallery through photography, drawing and sculpture of natural and industrial materials. Bonnie Clearwater first worked with Shabaka when she selected him for the exhibition New Art: South Florida at the Museum of Art, Fort Lauderdale in 1993, and notes that his recent body of work based on botanical studies conducted in South Florida marks a new path for him to develop. “With his extensiveexperience teaching at the college and university level, Shabaka will play an important mentoring role for the teen and young adult students in MOCA’s afterschool programs,” she said.
Antonia Wright’s project will reflect her background in performance art within the mediums of video, photography and installation to explore the environment of MOCA. A poet and photographer, Wright introduces social critique into a broad conceptual framework with imagination and conviction. She received an M.F.A. in poetry from the New School University in New York and studied at the International Center of Photography. Wright was one of the finalists in MOCA’s Optic Nerve XIII film festival in 2011.
Clearwater notes, “One of the essential aspects of any art community is the interaction between its artists. Trading Places helps to forge a stronger relationship between multi-generational artists and the students they mentor and to engage the public in the creative process.”
About Trading Places
This program was launched in 2005 with Miami artists Salvatore La Rosa, Maria Martnez-Canas in collaboration with Alaska artist Kim Brown, and Frances Trombly. The artists occupied the museum’s galleries from July 29 to September 4, 2005.
The Museum of Contemporary Art is located at 770 NE 125th Street, North Miami, Florida. For information, please visit www.mocanomi.org or call 305 893 6211.
Hours and Admission: Tuesday, Thursday, Friday, Saturday - 11 am to 5 pm; Wednesday from 1–9 pm; and Sunday from noon to 5 pm. MOCA’s galleries are also open on the last Friday of each month from 7–10 pm in conjunction with Jazz at MOCA performances. Admission is free for MOCA members, North Miami residents and City employees and children under 12; $5 for adults; $3 for seniors and students with ID.
About the Museum of Contemporary Art, North Miami
The mission of the Museum of Contemporary Art is to make contemporary art accessible to diverse audiences - especially under-served populations - by exploring the art of our time and its relationship to a broader cultural context. MOCA is internationally recognized as a force in defining new trends and directions in contemporary art. The museum originates most of its own exhibitions, presenting an exciting mix of both emerging and legendary artists.
Visitors from around the world are drawn to its permanent collection reflecting the most important developments in contemporary art.
MOCA presents a continuous calendar of lectures by renowned artists and critics, film screenings, concerts, and cutting edge performances. Its MOCA Art Institute has attracted nationwide attention for highly original education and outreach programs that make contemporary art accessible, understandable, and enjoyable to people of all ages.
Through enrichment programs, cultural travel and social events, MOCA members are provided dynamic opportunities to enhance their understanding of contemporary art and develop relationships with collectors and art enthusiasts from around the world.
Architectural plans for the expansion and renovation of MOCA's current facility will more than double its overall space to 54,000 square feet and more than triple its current exhibition space to 23,150 square feet. The expansion's concept plan is designed by Gwathmey Siegel Kaufman + Associates. The expansion will allow for ongoing access to MOCA's permanent collection, provide an education wing for classes and public programs, expanded space to present concurrent exhibitions, new art storage and enhanced public areas.
In 2007, MOCA received a $5 million endowment from the John S. and James L. Knight Foundation to establish the MOCA Knight Exhibition Endowment. The endowment is part of a $460 million philanthropic initiative created by Knight Foundation to help transform South Florida by bringing the community together through the arts. The Knight Arts Challenge includes three institutional endowments and an open-invitation community contest to fund the best ideas for the arts. It enables MOCA to present exhibitions and multi-media projects each year featuring the work of emerging and experimental artists, as well as to develop innovative public and education programs. The Knight Foundation Endowment makes MOCA one of the few contemporary art museums in the nation to have a dedicated source of funding of this nature. Since its launch in December 2008, MOCA's Knight Exhibition Series has featured the exhibitions: Anri Sala: Purchase Not by Moonlight (2008-09), The Possibility of an Island (2008-09), Luis Gispert (2009), The Reach of Realism (2009-10), Ceal Floyer: Auto Focus (2010), Cory Arcangel: The Sharper Image (2010). Modify, as Needed (2011), Mark Handforth: Rolling Stop and Ragnar Kjartansson: Song. For more, visit www.KnightArts.org.
Exhibitions and programs at MOCA are made possible through grants from the City of North Miami. Sponsored in part by the State of Florida, Department of State, the Florida Council on Arts and Culture, and the National Endowment for the Arts. With the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners. The Museum of Contemporary Art, North Miami is accredited by the American Association of Museums.
TRADING PLACES 2 AT MUSEUM OF CONTEMPORARY ART
Knight Exhibition Series
September 13 – November 11, 2012
Artists swap their studios for spaces in MOCA galleries
Meet the artist panel discussions on July 18 and 25, 2012
In 2005, the Museum of Contemporary Art (MOCA), North Miami launched an experimental program called Trading Places in which South Florida artists swapped their studio spaces for space in the museum’s galleries for the period of two months. From September 13 through November 11, 2012, MOCA has invited five South Florida artists: Dona Altemus, Onajide Shabaka, Magnus Sigurdarson, Rick Ulysse and Antonia Wright to participate in Trading Places 2, the second installment of this program. Trading Places 2 is part of MOCA’s Knight Exhibition Series program.
The emphasis of Trading Places 2 is on the research and development of projects rather than specifically working toward an exhibition, although works may be exhibited or performed at the museum. The artists selected have reached critical moments in their careers when they can most benefit from the opportunity to work with MOCA’s curatorial and technical staff.
This program provides the artists with studio spacein the museum’s galleries, materials and technical assistants, and opportunities to interact, respond to and investigate each others’ practices and engage in periodic discussions with the public.
A new component of Trading Places 2 is the role these artists will play mentoring the teens and young adults enrolled in MOCA’s free afterschool educationclasses and intern program, as part of the MOCA Art Institute, MOCA’s extensive education program for students of all ages.
Trading Places 2 is organized by the Museum of Contemporary Art, North Miami under the direction of MOCA Executive Director and Chief Curator Bonnie Clearwater. It is made possible by MOCA’s Knight Exhibition Endowment.
Dona Altemus, the youngest artist in Trading Places 2, is a 2012 graduate of New World School of the Arts, where she earned her BFA with a concentration in painting. For Trading Places 2, Altemus will investigate installation as a tool and explore spatial relationships that are activated when separate works interact. Altemus first came to Clearwater’s attention when she presented her work at MOCA’s unique Artist Critique program held twice a year, in which approximately 15 students from South Florida art schools present their work to MOCA’s curators for critique at each session. Clearwater notes, “I was impressed by the initial presentation and the maturity of Altemus’s vision. Trading Places will provide her with the opportunity to determine her post-graduate path.”
Onajide Shabaka’s work makes references to the anthropological, geological and biological through a visual aesthetic that is challenging and visceral, with a grounding in African Atlantic culture. Since 1997, his work has largely moved into the Florida wetlands, upper Minnesota and Oregon woodlands. He will use Trading Places to bring his art practice back into the formal gallery through photography, drawing and sculpture of natural and industrial materials. Bonnie Clearwater first worked with Shabaka when she selected him for the exhibition New Art: South Florida at the Museum of Art, Fort Lauderdale in 1993, and notes that his recent body of work based on botanical studies conducted in South Florida marks a new path for him to develop. “With his extensiveexperience teaching at the college and university level, Shabaka will play an important mentoring role for the teen and young adult students in MOCA’s afterschool programs,” she said.
Antonia Wright’s project will reflect her background in performance art within the mediums of video, photography and installation to explore the environment of MOCA. A poet and photographer, Wright introduces social critique into a broad conceptual framework with imagination and conviction. She received an M.F.A. in poetry from the New School University in New York and studied at the International Center of Photography. Wright was one of the finalists in MOCA’s Optic Nerve XIII film festival in 2011.
Clearwater notes, “One of the essential aspects of any art community is the interaction between its artists. Trading Places helps to forge a stronger relationship between multi-generational artists and the students they mentor and to engage the public in the creative process.”
About Trading Places
This program was launched in 2005 with Miami artists Salvatore La Rosa, Maria Martnez-Canas in collaboration with Alaska artist Kim Brown, and Frances Trombly. The artists occupied the museum’s galleries from July 29 to September 4, 2005.
The Museum of Contemporary Art is located at 770 NE 125th Street, North Miami, Florida. For information, please visit www.mocanomi.org or call 305 893 6211.
Hours and Admission: Tuesday, Thursday, Friday, Saturday - 11 am to 5 pm; Wednesday from 1–9 pm; and Sunday from noon to 5 pm. MOCA’s galleries are also open on the last Friday of each month from 7–10 pm in conjunction with Jazz at MOCA performances. Admission is free for MOCA members, North Miami residents and City employees and children under 12; $5 for adults; $3 for seniors and students with ID.
About the Museum of Contemporary Art, North Miami
The mission of the Museum of Contemporary Art is to make contemporary art accessible to diverse audiences - especially under-served populations - by exploring the art of our time and its relationship to a broader cultural context. MOCA is internationally recognized as a force in defining new trends and directions in contemporary art. The museum originates most of its own exhibitions, presenting an exciting mix of both emerging and legendary artists.
Visitors from around the world are drawn to its permanent collection reflecting the most important developments in contemporary art.
MOCA presents a continuous calendar of lectures by renowned artists and critics, film screenings, concerts, and cutting edge performances. Its MOCA Art Institute has attracted nationwide attention for highly original education and outreach programs that make contemporary art accessible, understandable, and enjoyable to people of all ages.
Through enrichment programs, cultural travel and social events, MOCA members are provided dynamic opportunities to enhance their understanding of contemporary art and develop relationships with collectors and art enthusiasts from around the world.
Architectural plans for the expansion and renovation of MOCA's current facility will more than double its overall space to 54,000 square feet and more than triple its current exhibition space to 23,150 square feet. The expansion's concept plan is designed by Gwathmey Siegel Kaufman + Associates. The expansion will allow for ongoing access to MOCA's permanent collection, provide an education wing for classes and public programs, expanded space to present concurrent exhibitions, new art storage and enhanced public areas.
In 2007, MOCA received a $5 million endowment from the John S. and James L. Knight Foundation to establish the MOCA Knight Exhibition Endowment. The endowment is part of a $460 million philanthropic initiative created by Knight Foundation to help transform South Florida by bringing the community together through the arts. The Knight Arts Challenge includes three institutional endowments and an open-invitation community contest to fund the best ideas for the arts. It enables MOCA to present exhibitions and multi-media projects each year featuring the work of emerging and experimental artists, as well as to develop innovative public and education programs. The Knight Foundation Endowment makes MOCA one of the few contemporary art museums in the nation to have a dedicated source of funding of this nature. Since its launch in December 2008, MOCA's Knight Exhibition Series has featured the exhibitions: Anri Sala: Purchase Not by Moonlight (2008-09), The Possibility of an Island (2008-09), Luis Gispert (2009), The Reach of Realism (2009-10), Ceal Floyer: Auto Focus (2010), Cory Arcangel: The Sharper Image (2010). Modify, as Needed (2011), Mark Handforth: Rolling Stop and Ragnar Kjartansson: Song. For more, visit www.KnightArts.org.
Exhibitions and programs at MOCA are made possible through grants from the City of North Miami. Sponsored in part by the State of Florida, Department of State, the Florida Council on Arts and Culture, and the National Endowment for the Arts. With the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners. The Museum of Contemporary Art, North Miami is accredited by the American Association of Museums.
MIA ANIMATION CONFERENCE & FESTIVAL will be holding a Pitching Contest as part of its Animation Festival. All creators are encouraged to submit their projects for consideration. The top submissions in both categories will be invited to pitch their idea in person to a panel of animation industry experts and professionals.
CATEGORIES:
1. Animation for Television and Web Series - targeting kids (any audience 13 and under)
2. Animation for Television and Web Series - targeting adults (any audience 14 and up)
FINALIST PITCHES:
The top entries from each category (roughly five entrants from each, but the panel reserves the right to select any number) will be selected as Finalists. Selected Finalists will be notified by August 15, 2012. Finalists will be invited to pitch their projects in person to a panel of industry experts at MIA ANIMATION. No travel expenses will be covered.
In person pitches can be in any form, but cannot take more than Five (5) minutes. There will be a question and answer time with the panel at the end of the five minute initial presentation. Finalists will be contacted during the summer and can request A/V equipment or display space for pitch materials, but the entrant is ultimately responsible for ensuring that all necessary technical or other equipment is present and working properly.
INDUSTRY PANEL:
The following studios and agencies will be represented at the Pitch:
Walt Disney Television Animation, Cartoon Network, Universal Pictures, Neversoft Entertainment, The Third Floor, Microsoft Studios, Blizzard Entertainment.
MIA ANIMATION Pitch to the Industry
Miami International University of Art & Design
1501 Biscayne Blvd Ste 100 · Miami · FL Directions
October 20th, 2012
Entry Fee: $ 50
Deadline: July 31st, 2012
VISIT www.miaanimation.com
CONTACT USinfo@miaanimation.com
LIKE US facebook.com/ANIMIAMI
Calypso Rose born McCartha Linda Sandy-Lewis, April 27, 1940 in Bethel, Tobago is a calypsonian. She began writing songs at the age of 15,turned professional in 1964 and has written over 800 songs and recorded over 20 albums.
Rose's father was a leader with the Spiritual Shouter Baptists. Her family was very traditional and opposed her singing in Carnival Tents.She composed her first Calypso in 1955 after seeing a man steal the spectacles off of a lady’s face in the Croisée, San Juan. In the song, she advises Tobagonians to stay at home, because Trinidad was no place for them. Originally she used Crusoe Kid as her stage name, the name Calypso Rose was given to her by the Spoiler, and tent members Piggy and Spike.
Travelling outside of Trinidad and Tobago for the first time in 1963, Rose covered the islands from Grenada to St. Thomas. She won the Calypso King contest and the Roadmarch in St. Thomas with her first recording, Cooperation. In 1966 she wrote the song Fire in Me Wire, the first calypso ever sung two years running at the Trinidad carnival, in 1966 and 1967
Rose was the first female to win the Trinidad Road March competition, in 1977 with her song Gimme More Tempo and in 1978 she took the title again with Come Leh We Jam. In the same year she won the Calypso King competition, the first time it had ever been awarded to a female. The competition's title was changed to Calypso Monarch in her honour.
Rose was in concert in Paris au petit Bain on May 26th, 2012.
Theater students from 20 public, private and charter schools throughout Broward and Palm Beach County vied for top honors at the 10th Annual Cappies Awards Gala on Tuesday, May 15 at 7 p.m. in the Au-Rene Theater at the Broward Center for the Performing Arts.
Modeled after Broadway’s Tony Awards, the gala awards show will feature songs and scenes from the top nominated shows.
The Critics’ Awards Program, or Cappies for short, recognizes high school theater in 42 categories including performers, designers, technicians and critics.
“Since our very first Cappies Awards Gala 10 years ago, many of our past honorees have pursued advanced studies and careers in the arts,” said Lori Sessions, program director of the South Florida Cappies. “From a former student now appearing on Broadway in Wicked to others starring in and working on Broadway-caliber productions nationwide, it is inspiring to see young people fulfill their dreams.”
Former major-leaguers took the field Saturday for the 24th Joe DiMaggio’s Legends Game at Fort Lauderdale Stadium, the former spring training home of the New York Yankees and Baltimore Orioles.
This year’s contest will feature many familiar faces, including former Marlin players Alex Arias, Orestes Destrade and Chris Hammond and managers Jeff Torborg and Cookie Rojas.
Organizers expected this year’s contest to be one of the most crowded in the last decade, said Craig Cohen, Director of Sponsorship Development for the Joe DiMaggio Children’s Hospital Foundation. That boost in attendance is due to an increased marketing campaign and a new AAA discount. Fans attending this year’s contest will receive a two-for-one discount on tickets when they present their AAA card.
Proceeds from the game will benefit the Joe DiMaggio Children’s Hospital, which opened a new, $140 million facility last summer.
One lucky person was highly surprised on November 4th, 2011 when he became the two-millionth patron at the Adrienne Arsht Center. Just before the Jazz meets Gershwin concert, John Richard, president and Ceo, announced the news to the winner.
He received an invitation to meet the artists performing that evening as part of the Jazz Roots performance of “Jazz Meets Gershwin.” In addition, the patron will receive the following gifts:
· Complimentary one-year Arsht Center membership
· Subscription to the Masterworks Season – Pops Series featuring Broadway Stars Idina Menzel and Raul Esparza as well as B.B. King
· Gift certificate to dine in Prelude by Barton G
Prior to a screening of "Vamperifica" at the FLIFF 2011 on Halloween, a costume contest was held for som,e of the audience members at Cinema Paradiso, this dark and stormy night.
Celebrity judges includedBonnie Swencionis, star of VAMPERIFICA, Joanie Cox, Glamazon Fashion Writer for City Link and Cinema Dave Montalbano.
The 6th Annual Miss Miami Broward Carnival Pageant took place at the Florida Memorial Universityon Sept. 24th 2011. The Carnival Costume Competition. Annika Boxhill represented Generation X.
The competition is composed of four challenges: Talent Competition, Carnival Costume Competition, Evening Wear Competition, and the Question and answer Segment.
UPDATE: She was first runner up.
The 6th Annual Miss Miami Broward Carnival Pageant took place at the Florida Memorial Universityon Sept. 24th 2011. The Carnival Costume Competition.
The competition is composed of four challenges: Talent Competition, Carnival Costume Competition, Evening Wear Competition, and the Question and answer Segment.
The 6th Annual Miss Miami Broward Carnival Pageant took place at the Florida Memorial Universityon Sept. 24th 2011. The Carnival Costume Competition. All the contestants were on stage for the Carnival Costume Competition.
The competition is composed of four challenges: Talent Competition, Carnival Costume Competition, Evening Wear Competition, and the Question and answer Segment.
The 6th Annual Miss Miami Broward Carnival Pageant took place at the Florida Memorial Universityon Sept. 24th 2011. The Carnival Costume Competition. Kashunda Flatts represented for Party People.
The competition is composed of four challenges: Talent Competition, Carnival Costume Competition, Evening Wear Competition, and the Question and answer Segment.
The 6th Annual Miss Miami Broward Carnival Pageant took place at the Florida Memorial Universityon Sept. 24th 2011. The Carnival Costume Competition. Kashunda Flatts represented for Party People.
The competition is composed of four challenges: Talent Competition, Carnival Costume Competition, Evening Wear Competition, and the Question and answer Segment.
UPDATE: She is the winner of the pageant 2011.
